Do you advise students to keep an 'IDEAS DIARY' ?

I think what you’re referring to was said in an online discussion group.

A second really common bit of advice for any creative person is to have an ‘Ideas Diary’. This can be as simple as a tiny spiral notebook that fits in your pocket or backpack or can sit by your bedside or your computer. Most likely you’ll find that you ‘hatch’ great story ideas at the oddest moments; just before sleep hits you is fairly common.

And one of the other most common occurrences is, just as you are sitting down to really tackle a tough piece of writing, you decide housework is absolutely critical at this moment in time! Human beings are escape artists at heart It takes discipline to put yourself in front of the computer every day that you’re scheduled to write and ‘make’ it happen on the page. Far easier to simply play the story (any story) in your head, scrolling through the action but never really writing it down. It is acquiring this discipline that makes writing hard. Everyone has great movie ideas but very few people take the time to develope the discipline to transform those ideas onto the page.

And that’s where the LIST comes into play. Often, fantastic story ideas come out of that desire NOT to be nailed down to a schedule. USE THAT; in fact learn to use all the tricks your mind will play on you to your advantage. Do take five minutes (not five hours) recording this NEW , great idea in your story diary. But DON’T GET SIDE-TRACKED from your current goal; FINISHING YOUR FIRST DRAFT.

Remember, that is the only one rule in beginning that first draft screenplay; FINISH IT. Everything else is probably fixable in a rewrite. But you really can’t fix, what isn’t on the page. So record all the new story ideas that will come your way, while you’re acquiring the discipline to finish that first great story idea that got you started! For more SCREENWRITING TIPS.... FOLLOW US ON TWITTER!

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I hope that helps. And I wish you luck with your screenplay. Let me know when you’ve completed your script. I’d love to read your work!

BEGINNING, MIDDLE AND END: The Three Act Structure at it's most basic!

I just finished teaching at a prestigious boys school, a two-week course on filmmaking for summer term. The first week was dedicated to creating a film-story idea and creating the storyboards to illustrate the fiction. The second week was dedicated to shooting the TWO chosen film scripts from the first weeks work. I am really proud of my students work - see youtube link. In total, they really only had 3 days to craft their story and another 3 to shoot the short. They did it and the filmstories totally work! With tweaking they will work really well.

Monday was spent going over the basic story structure for film - THREE ACTS (beginning, complications and then the end). After screening & lecture, they did an in-class writing exercise based on creating fiction from a random picture, torn from a magazine, that was handed to them only moments before.

Tuesday, we talked about ‘framing the shot’ and did another writing exercise. I divided the class into writing teams, so they’d have someone to help generate story ideas. And they began to write their own film piece. We watched some Pixar shorts to see how they were presented. I gave them a sample of my storyboards for a Pixar short; and we viewed the film again - with the storyboards in hand.

By Wednesday, they were well on their way. We watched another film and talked about world building and complications! By the start of class Thursday they had their short piece written; and now it was time to storyboard it. Final storyboards were presented on Friday morning; and the class selected which two films to shoot based on the 6 questions I suggest screenwriters answer for themselves (FILMMAKING WIZARDRY) in their script.

They had the weekend to prepare their shot lists and on Monday they rehearsed actors and camera moves. Tuesday they shot their films. (One film had to completely reshoot 90% of it's footage; but made it’s deadline too). Wednesday was pick-up shots and editing. Thursday was music track, titles and glitches. FRIDAY, THE SCREENING for parents, friends and the whole school!

The students were all between the ages of 8 and 16 years old. We had ten great story ideas submitted on that first Friday; and far more than the TWO could have gone to camera. This underscores my theory that everyone really does have a movie idea in their head… And that if you ask the right questions, you can get them get it out and onto the page!

I hope this helps. And I wish you luck with your screenplay. Let me know when you’ve completed your script. I’d love to read your work!

You always hear more experienced writers saying you should 'write what you know'.... what does that mean?

Write what you know is probably the oldest piece of advice there is for aspiring writers. But just because it’s old doesn’t mean it’s BAD… or necessarily good either. Here’s my take on what it means.

Writing what you know doesn’t mean that if you janitor at night to pay the bills while you learn the craft of writing that you only ever get to write movies about janitors. What I do believe ‘writing what you know’ refers to is what you 'know' emotionally.

Screenplays are driven by the ups and downs of the main characters quest. The ups and downs refer to both the storyline (or action) but also your heroine/hero’s emotions. And this is where many new writers come up short. They often side-step tackling the really BIG EMOTIONS. Oh sure, we see death scenes, sex scenes, pillage scenes, car chases & death from car chases - but what we don’t see is REAL, GENUINE heart-felt emotions that arise from these events.

Often, the new writer doesn’t show us the ‘FALLOUT’ from these events in our hero’s life. And yet, it’s exactly that exploration of emotional subtext that makes film REAL to us the audience. It’s that bond of shared emotional experience that connects us to the heroine/hero in the end. So, ‘write what you know’ means write from a place of emotional honesty. Either take the risk to write from your very own place of emotional experience. Or take the time to understand and EMPATHIZE with someone who has lived the experience you are going to write about.

LIVE it, (the emotion you’re writing about); FEEL it if you’re hoping to write it and ultimately convince an audience to believe it and then WRITE it. We all have a 6th sense concerning emotional honesty… discover yours, and write from that place for compelling screenplays. That’s my take on what the phrase - write what you know - is really advocating to new writers.

I hope this helps. And I wish you luck with your screenplay - let me know when you’ve completed your script. I’d love to read your work!

I ALWAYS get side-lined fixing stuff; and never seem to finish a script!

I took a screenwriting class with a buddy and while he just kind of plowed through his first draft I got kind of side-lined by fixing stuff. I still haven’t finished and he’s on to his second script. What gives… am I just slow?

Writing is one of the strangest undertakings. We are seduced by a story idea in our head and practically driven crazy until we succumb and begin to put it on paper.

And then, the real torture begins. We write a scene or two, or even a whole first act. And then inevitably we begin to second guess ourselves as we soldier on through the next tough scene sequence. The main characters name isn’t strong enough. The villain isn’t evil enough. The opening scene isn’t fresh enough. The scene transitions aren’t transity enough; and so on, and so on, and so on.

Some of these comments are quite accurate. Your main character does have a dumb name at the moment. And maybe those scene transitions really do need work. But guess what - NOT NOW. Your only job in the FIRST DRAFT is to FINISH. Repeat this to yourself over and over again when that little inner CRITIC would have you go back and putter with the first act. Resist the temptation and keep moving forward; that’s the only way to finish your first draft... Never look back!

But, don’t lock up that inner critic and throw away the key. Just throw him or her a bone. One of the best gimmicks you can implement for yourself is to station a clipboard and pen next to your computer. EVERY SINGLE TIME your inner critic even whispers a suggestion - mollify her by writing it down on the clipboard right next to the keyboard. VOILA! your inner critic ‘feels’ heard…and then deigns to leave you alone for a while so you can actually write. AND, in addition to finishing your script - you also wind up with a dandy blueprint for your first REWRITE by the time you type, The End.

I hope this helps. And I do wish you luck with your screenplay - and let me know when you’ve completed your script. I’d love to read your work!

I always INTEND to sit down and write, but my girlfriend kind of resents the time I spend doodling on the computer!

Relationships are tricky at the best of times… and I definitely don’t want to get into a ‘Dear Abby’ advice column here. But it is possible to participate in a meaningful relationship and still write. The key is careful apportioning of your time.

First of all, ARE YOU doodling on the computer or are you actually sitting and writing? This is an important distinction as much for your girlfriend’s peace of mind as your own as a writer. Everyone has days or nights when stuff just doesn’t flow. But at the same time, IF you did thorough planning prior to beginning to write you should know what needs to be done each and every time you sit down to write. AND, you should do it.

What you write on those nights may be crap. Crap happens. At the same time, it is NOT our job to judge as we write. OUR ONLY JOB, IN THE FIRST DRAFT, IS TO FINISH. Ask your girlfriend (or boyfriend) to embroider that for you as a wall hanging. That IS your only job this time around; to finish this draft.

The other thing you should DO is make a commitment to writing; to WRITING TIME. Screenplays don’t write themselves. So book an appointment with yourself - and take it as seriously as if it were the big ticket opportunity you hope your screenwriting may become some day. Take it seriously now, so you will BE taken seriously later.

And your girlfriend? Well, you might try engaging her in the process. Try READING some of your work to her; get her involved. Be careful though… she may start canceling appointments away if she likes what you read to her, in an effort to keep your nose to the grindstone. Involving loved ones in our quest can become a double-edged sword.

I hope this helps. And I do wish you luck with your screenplay - and let me know when you’ve completed your script. I’d love to read your work!