Writing & especially screenwriting is ALL about making choices! The choices your main character will make will define them in the audience's eye.... and you as a writer, as well.
CHAPTER ONE of the Screenwriting Essentials Online Tutorial & workbook discuss STORY CONCEPT and idea.
From the very first IMAGE you see on the screen you are telling your audience what to FEEL in this visual journey they are about to embark upon. That first image is the first step on the journey. I always say that writing is about choices and your choices for telling your story start with that very first image.
Every artist faces a similar decision making process whether it’s a oil painter, a photographer or you the screenwriter. Visually speaking, you compose each scene - you choose the location (what does it say) to the viewer? You choose the apparel of each actor (to some extent - what does that say?) You choose the WORDS they speak. What is going on beneath the words that actually come out of the actors mouth? Are they saying ‘I LOVE YOU, I love you… while they batter each other with trash from a nearby garbage can?
Now that doesn’t mean that you become a ‘control freak’ as a writer. You leave many, many choices to the director and the actor and the set designer and the locations manager. BUT, WHEN IT”S IMPORTANT to our understanding of the story or the emotional landscape of the heroine/hero you create concrete details in your script; you create choices that make that clear.
There is a power and a responsibility in every story choice you make as a screenwriter. With proper planning - you can learn to revel in the choosing - not be frozen in place - unable to act; or stymied with indecision.
I hope this helps. And I do wish you luck with your screenplay. Let me know when you’ve completed your script. I’d love to read your work!
Sunday, May 15, 2011
Sunday, May 1, 2011
Experienced writers often tell you to write what you KNOW...
Write what you know is probably the oldest piece of advice there is for aspiring writers. But just because it’s old doesn’t mean it’s BAD… or necessarily good, either. It all depends on your interpretation! Here’s my take on what it means.
Writing what you know doesn’t mean that if you're a janitor at night to pay the bills while you learn the craft of writing - that you only ever get to write movies about janitors. The way I interpret the phrase ‘write what you know’ regards what you KNOW is emotionally honest or true.
Screenplays are driven by the ups and downs of the main characters quest. The ups and downs refer to both the storyline (or action) but also your heroine/hero’s emotions. And this is where many new writers come up short. They often side-step tackling the really BIG EMOTIONS that naturally ensue in a really dramatic incident. Oh sure, we see death scenes, sex scenes, pillage scenes, car chases & maiming from car chases - but what we don’t see is REAL, GENUINE heart-felt emotions that arise from these events.
Often, the new writer doesn’t show us the ‘fallout’ from these big events in our hero’s life - WHEN it’s exactly that exploration of emotional subtext that makes film REAL to us the audience. It’s that bond of shared emotional experience that connects us to the heroine/hero in the end. So, ‘write what you know’ means write from a place of emotional honesty. Either take the risk to write from your very own place of emotional experience or take the time to understand and EMPATHIZE with someone who has lived the experience you are going to write about.
LIVE it, (the emotion you’re writing about)- FEEL it if you’re hoping to write it and ultimately convince an audience to believe it... and then WRITE it! We all have a 6th sense concerning emotional honesty… discover yours, and write from that place for really compelling screenplays. That’s my take on what the phrase - 'write what you know' is really advocating to new and aspiring writers.
I hope this helps. And I do wish you luck with your screenplay - let me know when you’ve completed your script. I’d love to read your work!
FOLLOW ScriptTips on TWITTER
Writing what you know doesn’t mean that if you're a janitor at night to pay the bills while you learn the craft of writing - that you only ever get to write movies about janitors. The way I interpret the phrase ‘write what you know’ regards what you KNOW is emotionally honest or true.
Screenplays are driven by the ups and downs of the main characters quest. The ups and downs refer to both the storyline (or action) but also your heroine/hero’s emotions. And this is where many new writers come up short. They often side-step tackling the really BIG EMOTIONS that naturally ensue in a really dramatic incident. Oh sure, we see death scenes, sex scenes, pillage scenes, car chases & maiming from car chases - but what we don’t see is REAL, GENUINE heart-felt emotions that arise from these events.
Often, the new writer doesn’t show us the ‘fallout’ from these big events in our hero’s life - WHEN it’s exactly that exploration of emotional subtext that makes film REAL to us the audience. It’s that bond of shared emotional experience that connects us to the heroine/hero in the end. So, ‘write what you know’ means write from a place of emotional honesty. Either take the risk to write from your very own place of emotional experience or take the time to understand and EMPATHIZE with someone who has lived the experience you are going to write about.
LIVE it, (the emotion you’re writing about)- FEEL it if you’re hoping to write it and ultimately convince an audience to believe it... and then WRITE it! We all have a 6th sense concerning emotional honesty… discover yours, and write from that place for really compelling screenplays. That’s my take on what the phrase - 'write what you know' is really advocating to new and aspiring writers.
I hope this helps. And I do wish you luck with your screenplay - let me know when you’ve completed your script. I’d love to read your work!
FOLLOW ScriptTips on TWITTER
Sunday, April 17, 2011
Do you advise students to keep an 'IDEAS DIARY' ?
I think what you’re referring to was said in an online discussion group.
A second really common bit of advice for any creative person is to have an ‘Ideas Diary’. This can be as simple as a tiny spiral notebook that fits in your pocket or backpack or can sit by your bedside or your computer. Most likely you’ll find that you ‘hatch’ great story ideas at the oddest moments; just before sleep hits you is fairly common.
And one of the other most common occurrences is, just as you are sitting down to really tackle a tough piece of writing, you decide housework is absolutely critical at this moment in time! Human beings are escape artists at heart It takes discipline to put yourself in front of the computer every day that you’re scheduled to write and ‘make’ it happen on the page. Far easier to simply play the story (any story) in your head, scrolling through the action but never really writing it down. It is acquiring this discipline that makes writing hard. Everyone has great movie ideas but very few people take the time to develope the discipline to transform those ideas onto the page.
And that’s where the LIST comes into play. Often, fantastic story ideas come out of that desire NOT to be nailed down to a schedule. USE THAT; in fact learn to use all the tricks your mind will play on you to your advantage. Do take five minutes (not five hours) recording this NEW , great idea in your story diary. But DON’T GET SIDE-TRACKED from your current goal; FINISHING YOUR FIRST DRAFT.
Remember, that is the only one rule in beginning that first draft screenplay; FINISH IT. Everything else is probably fixable in a rewrite. But you really can’t fix, what isn’t on the page. So record all the new story ideas that will come your way, while you’re acquiring the discipline to finish that first great story idea that got you started! For more SCREENWRITING TIPS.... FOLLOW US ON TWITTER!
Check out this VIDEO TIP HOT LINK below
I hope that helps. And I wish you luck with your screenplay. Let me know when you’ve completed your script. I’d love to read your work!
A second really common bit of advice for any creative person is to have an ‘Ideas Diary’. This can be as simple as a tiny spiral notebook that fits in your pocket or backpack or can sit by your bedside or your computer. Most likely you’ll find that you ‘hatch’ great story ideas at the oddest moments; just before sleep hits you is fairly common.
And one of the other most common occurrences is, just as you are sitting down to really tackle a tough piece of writing, you decide housework is absolutely critical at this moment in time! Human beings are escape artists at heart It takes discipline to put yourself in front of the computer every day that you’re scheduled to write and ‘make’ it happen on the page. Far easier to simply play the story (any story) in your head, scrolling through the action but never really writing it down. It is acquiring this discipline that makes writing hard. Everyone has great movie ideas but very few people take the time to develope the discipline to transform those ideas onto the page.
And that’s where the LIST comes into play. Often, fantastic story ideas come out of that desire NOT to be nailed down to a schedule. USE THAT; in fact learn to use all the tricks your mind will play on you to your advantage. Do take five minutes (not five hours) recording this NEW , great idea in your story diary. But DON’T GET SIDE-TRACKED from your current goal; FINISHING YOUR FIRST DRAFT.
Remember, that is the only one rule in beginning that first draft screenplay; FINISH IT. Everything else is probably fixable in a rewrite. But you really can’t fix, what isn’t on the page. So record all the new story ideas that will come your way, while you’re acquiring the discipline to finish that first great story idea that got you started! For more SCREENWRITING TIPS.... FOLLOW US ON TWITTER!
Check out this VIDEO TIP HOT LINK below
I hope that helps. And I wish you luck with your screenplay. Let me know when you’ve completed your script. I’d love to read your work!
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